Music and the Occult: French Musical Philosophies 1750-1950 (Eastman Studies in Music, No 3)

Music and the Occult: French Musical Philosophies 1750-1950 (Eastman Studies in Music, No 3) by Joscelyn Godwin

Title: Music and the Occult: French Musical Philosophies 1750-1950 (Eastman Studies in Music, No 3)
Author: Joscelyn Godwin
ISBN10: 1878822535
ISBN13: 978-1878822536
Publisher: Univ of Rochester Pr (January 1, 1996)
Language: English
Subcategory: Music
Size PDF: 1656 kb
Size Fb2: 1441 kb
Rating: 4.8/5
Votes: 258
Pages: 261 pages
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Music and the Occult: French Musical Philosophies 1750-1950 (Eastman Studies in Music, No 3) by Joscelyn Godwin


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This book is an adventure into the unexplored territory of French esoteric philosophies and their relation to music. Occultism and esotericism flourished in nineteenth-century France as they did nowhere else. Many philosophers sought the key to the universe, some claimed to have found it, and, in the unitive vision that resulted, music invariably played an important part. These modern Pythagoreans all believed in the Harmony of the Spheres and in the powerful effects of music on the human soul and body. Faced with the challenge of the rationalist Enlightenment, then with that of modern scientism, they adapted their occultism to the prevailing style.A widely published musicologist and authority on esotericism, Godwin is able to give a clear and concise context for these philosophers' often surprising beliefs, and he demonstrates how this "speculative music" influenced composers such as Satie and Debussy, who were familiar with occultism. His long study of music and the Western esoteric tradition makes him uniquely qualified to unravel the strange story of these forgotten sages.